Movements Drop New Track ‘Tightrope’


Movements have shared ‘Tightrope’, the latest track from their forthcoming album ‘Ruckus!’.

Image credit: Anthony Purcella

The new album was announced last month and is set for release on August 18.

Upon announcing the album, the Southern California outfit also shared the record’s lead single ‘Fail You’. 

Today’s release is a much more melancholic offering and arrives with a video that sees vocalist Patrick Miranda and co. floating in the air – have a watch below.

Describing the new track, Miranda has described the range of influence that went into making it and the ambitions the band have for it:

“‘Tightrope’, in some ways, can be seen as the furthest departure we’ve taken from our sound thus far.” 

“It lives in a sort of ‘sonic in-between’ of alternative rock, emo, and ballad pop yet there’s still a familiarity that rings true to Movements’ bread and butter. 

“We pulled inspiration from all over the place on this one  – Justin Bieber-esque pop melodies, Snow Patrol ballad-y instrumentals, and even some drum n’ bass style breakbeats. It’s a weird mashup of shit that ended up turning into something really beautiful. 

“At the end of the day, we’re a band whose most popular song is a soft singalong. We’re hoping ‘Tightrope’ might finally be the song to take its place at the top.”

You can pick up your copy of ‘RUCKUS!’ on exclusive blue and white vinyl, delivered worldwide and only from Rock Sound. Just click below!



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The Used Share New Music Video For ‘Giving Up’


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BVDLVD Announces New Album ‘ABSENCE’ And Shares Single ‘INEVITABLE’


BVDLVD has announced brand-new forthcoming album ‘Absence’, set for release on September 29.

Image credit: Sara Shots

To mark the news, BVDLVD (pronounced ‘bad lad’), whose real name is Josh Pearman, has shared monstrous new tune ‘INEVITABLE’.

The new track arrives with a frenetic new music video – have a watch below.

Speaking of the new tune, the newly-signed Earache Records artist has said: 

“This might be my favourite tune that I’ve ever made. It feels like real progression.”

“I wanted to make a call back to the movies I used to watch as a kid where you would see the “you wouldn’t steal a car” clip.”

“I talk a lot about fate, and how the world keeps on changing and moving forward. Whether you like it or not, you’re either gonna sit back and watch or be a part of it.”

Today’s release follows the release of rage-filled track ‘Poison’ last month, which it turns out is the final track on the forthcoming album.

See the full ‘Absence’ album artwork and tracklist below.

1. NO ONE CARES (INTRO)

2. INEVITABLE

3. TIME WILL TELL (feat. PEZZHEAD)

4. NUMB

5. HOME

6. WHO AM I?

7. TABLE CLOTH (feat. Biv)

8. AISLE 13

9. NON-EXISTENT (feat. DEXNDRE)

10. PANIC ATTACK

11. AVODLOM (feat. BLCKK)

12. FORGET ME NOT (feat. FREDDY)

13. BORED

14. GET THIS FAR

15. HAPPY DEATH (feat. PROP)

16. PRISON



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Trophy Eyes, ‘Suicide and Sunshine’


Trophy Eyes frontman John Floreani talks us through the band’s latest album ‘Suicide and Sunshine’, from writing lyrics to developing the sound, choosing the artwork and the title.

Plus, we have teamed up with the band to create this exclusive t-shirt design, available for delivery worldwide and only from Rock Sound.

Read Trophy Eyes, ‘Suicide and Sunshine’ | The Album Story below:

TEXT ONLY VERSION BELOW:

When you boil it down, everything in life exists along a series of spectrums.

Whether it be between darkness and light or beauty and tragedy, each moment we experience sits on a scale between two extremes. Each heartbreak, celebration, and epiphany forms a tiny dot on your timeline, and when all of those ashes of light combine – they make up a lifetime.

It’s a huge concept to delve into, but when Trophy Eyes set to work exploring these ideas on their fourth album ‘Suicide and Sunshine’ – they were preparing for a poignant final bow. Faced with a confronting period of inward reflection as the world spiralled into lockdown in 2020, frontman John Floreani and his bandmates believed it was all over.

Channelling everything into one last record, along the way Trophy Eyes rediscovered the heart of their band. A series of snapshots that capture the whole spectrum of Floreani’s life in stark detail, ‘Suicide and Sunshine’ is a reminder of the fleetingness of our time on earth, and the wonder that we even get to be here in the first place.

As he lets the wider world into the most personal record of his career, Floreani guides us through the process of making the album that Trophy Eyes believed would be their last, and how its creation breathed new life into his band.

THE SOUND

A band who have repeatedly challenged themselves to push the boundaries of hardcore on each new release, album four is no exception to the Trophy Eyes rule. With three albums spent pushing genre classifications to one side in pursuit of something truly authentic, ‘Suicide and Sunshine’ may just be their most vital to date.

“Every time you go in, if you’re not trying to write your best record, there’s really no point being in there. Like fighters, or swimmers, or athletes, if you don’t think you can win, what are you doing? It’s not a winning situation for me, but I was there to write my best music. The idea was to get the total Trophy Eyes sound into a palpable thing.”

Listening to everything from the swirling synths on ‘Sydney’ to the pop flourishes on ‘My Inheritance’ and the dark, anthemic choruses of ‘Kill’, within ‘Suicide and Sunshine’ you can hear every step of Trophy Eyes’ journey so far. A brilliant amalgamation of sounds, scenes, and inspirations flecked with unconventional moments, it’s a distinct marker of the band’s personality of which Floreani was recently served a stark reminder.

“I did some writing in LA after ‘The American Dream’, and it did damage. It’s teams of people meeting and pumping out shit. It’s just bullshit. No offence to the guys that are doing it, but it’s not us. I was working with some serious people, and they were like, ‘Ain’t no shame in keeping it the same’. I became obsessed with writing the perfect song, and it started getting in the way of me writing. I was using that as a launchpad to make music, and it lost its character and meaning. Everything that I did became tired.”

“Writing with that weirdness in mind, that’s fun. I enjoy the hell out of that, and that’s character. A lot of what we were doing [on this album] is just expressing ourselves freely. There’s something liberating about that. I wish everyone could have a chance to express themselves so honestly.”

THE COLLABORATORS

Disconnected from one another due to the isolation of the pandemic, after deciding over a Zoom call that they were embarking on their final album, the four members of Trophy Eyes flew to Krabi, Thailand to begin the process.

“There was this looming air of finality. We were standing around, and no one was talking about it, but we all knew the reason we were together. It’s like when someone dies. We were all being happy and friendly, but it was for each other. We were putting on a brave face.”

“We got to Thailand, and I feel like that feeling went away. We got to work. We were very focused on doing what we do. I went with 40 songs, and in the first few days we went through all the demos and picked what the album was going to be.”

After completing pre-production, the four-piece agreed that if this was to be their last record, they wanted long-time producer Shane Edwards onboard. Heading to Bangkok to work with him and co-producer Fletcher Matthews – with no other outside input – they banded together to create the most important Trophy Eyes album in history.

“Shane understands the band, and he’s always done these crazy things to make the band do what he can hear in his head. A lot of producers, writers, and engineers are so timid because their name is on it. They don’t want to do anything scary. People go, ‘That’s not what a conventional song would do, so we probably shouldn’t do that’. Fuck that, that’s not what we want to do, and Shane is never going to do that.”

THE LYRICS

“It started with a photo from the first moon landing. It shows the shuttle leaving the moon and making its way back to Earth. It’s got the surface of the moon, the people in the shuttle, and then planet Earth. Everything in that photo is everything that we know, and every life that we know happened inside that photo – except the photographer.”

“He’s the only person to ever live and die not in that photograph. That’s a new version of loneliness. I kept coming back to that, and it was my wallpaper on my MacBook for a long time. We’re on this little rock in the middle of nowhere, and it’s made up of all of these deep, romantic, tragic, and meaningful little blips of life. Ultimately, us being here in the universe doesn’t mean anything, but it means so much to us. In a way, that’s beautiful.”

As someone whose inspiration comes from meeting people and hearing their stories whilst on the road, with the global lockdown came a new source of inspiration for Floreani. Spending quality time alone for the first time since he his childhood, when it came to putting down lyrics for ‘Suicide and Sunshine’ he had to learn a lot about himself.

Documenting his perception of how humans move through life, as told through the lens of his own experiences, each song on the album captures a different aspect of the frontman’s journey. From ‘Blue Eyed Boy’ – a painful account of a friend struggling with drug addiction – to ‘Runaway Come Home’, a track that explores Floreani’s at-times distant relationship with his mother, each song brings with it a vibrant personal story. Why then – in a world where people often fight to keep their private lives away from the masses – was Floreani so keen to share such intimate details?

“It’s not so other people will find catharsis, to be honest. It’s also not for me. This sounds kind of wanky, but it’s my job to document those moments and those things that happen. I have to get it down how it happened otherwise those moments are missing for eternity. It’s a self- appointed job.”

Tasking himself with capturing the most honest interpretation of each event he wrote about, ‘Suicide and Sunshine’ is a deeply affecting listen right through to its emotional closer, ‘Epilogue’, written as a final thank you to Trophy Eyes’ fans after a collective decision to end their band.

“It starts from the first days practising in our first drummers’ room, as early back as 2012. I never used to wear earplugs, and we played so loud my ears still ring as a souvenir from the best years of my life. [The song] is the band’s journey, and we wanted to write that as a big thank you because some people have been there since our first two demos.”

“The song was literally a goodbye, and it is fucking crushing. It’s sad, but it was necessary. If you’re going to tell the story, then it needs to be in there. You can’t really avoid it, and I feel like everybody deserves it. You can’t just turn it o because there are people who find what we’re doing important, and they deserve some respect.”

THE ARTWORK

An album that delves into how each person holds countless memories, thoughts, and perspectives that mean everything to them and nothing within the grand scheme of the universe, it makes sense that the album’s artwork features just one face – a rapper and artist from Western Sydney named Harry (aka BAYANG (tha Bushranger)).

“I saw a photo on Pinterest, and I was trying to find the image so I could buy it. It had this hold on me. The way that the head turns, and it’s blurry, it looks like an unimportant moment in someone’s life. That’s what the whole album is about. It’s about insignificant flashes of light that are deep and important memories for somebody else, and how tragic, beautiful, and romantic that is.”

“I wanted to recreate that photo, so I talked to my dear friend from Western Sydney, Tahmid Nurullah, and was like, ‘This is what I want’. I sent him the write up, the music, and the reference picture. We got together and shot the album cover ourselves.”

THE TITLE

The phrase ‘Suicide and Sunshine’ comes from one of the album’s most morbidly honest songs, ‘Sean’. A raw, confessional account of the day Floreani’s friend ended his life, he writes that it was sunny when he heard of Sean’s passing, a simple contradiction which captures a message that has long sat at the heart of Trophy Eyes.

“It’s the whole happy / sad thing that goes all the way back to the early days, with major key, fast, happy music that is ultimately singing about wanting to die. It’s Trophy Eyes’ thing, that’s what we’ve done.”

“It’s about happiness and peril. Our logo is a palm tree with a noose. When you see the palm tree you think vacation, holiday, coconuts, pina coladas, sandy beach, but then the imagery of the noose brings a sense of dread. It’s the polar opposites and everything in between, and that’s the theme. I feel like no matter what I did, I would always write about them. The spectrum of experience and how we experience things, I think that’s just fascinating.”

THE FUTURE

Closing on a heartfelt farewell to everyone that has been a part of this for the last decade, if you would have asked Floreani what the future held for Trophy Eyes at the start of ‘Suicide and Sunshine’s creation, the answer would have been extremely bleak. But now?

“There is a different energy, and we do feel happy again.”

“We’re not doing this to be the biggest band in the world or anything like that. We just want to be together. We just want to write music. It’s a little love story. This isn’t attempted stardom, if this thing can just run itself and pay for itself… that’s what we’re supposed to do. That’s why I’m here on this planet. That’s the headspace now, and it’s very different from when we were kids.”

“This could pop off , but if it doesn’t, it doesn’t matter. As long as I’m there with my family and we’re writing music, talking, laughing, and having a good time. I live to make these guys laugh and smile. Coming downstairs when you’re staying in the studio, and the boys are there, they’ve got a coffee, and they’ve just had a shower… Where the fuck else would I be? What else would I do? As long as this thing covers itself and this machine keeps moving, I’ll be there to write the music.”



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Blink-182’s Travis Barker Gets Surprise Pregnancy Message At Concert


Blink-182‘s Travis Barker is expecting a baby with wife Kourtney Kardashian, who surprised him during their concert in LA.

Photo: L – Jenn Five, R- Kourtney Kardashian Instagram

During the band’s show at BMO Stadium last night (June 16), Kourtney was spotted in the crowd, holding up a homemade sign that simply read ‘Travis, I’m Pregnant’.

Watch footage of the sweet moment below:

The sign was, of course, also in reference to the classic ‘All The Small Things’ music video where a fan holds up the same message. It can also be spotted on the back cover of Blink’s live album ‘The Mark, Tom, and Travis Show (The Enema Strikes Back!)’:

Barker’s bandmates Mark Hoppus and Tom DeLonge celebrated alongside him from the stage with Mark heading into the crowd to give Kourtney a hug.

Congratulations to Kourtney and Travis.

Blink-182 will perform their second show in LA tonight (June 17) and will hit the UK in September. Check out the dates below:

SEPTEMBER 2023

02 – GLASGOW OVO Hydro
04 – BELFAST SSE Arena
05 – DUBLIN 3Arena

OCTOBER 2023

11 – LONDON The O2
12 – LONDON The O2
14 – BIRMINGHAM Utilita Arena
15 – MANCHESTER AO Arena



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This is a discussion question answer in 250 words of more


This is a discussion question answer in 250 words of more – two reference , site the reference of the article as one, APA 7 format

Review “Lies, Damned Lies and Statistics: Clinical Importance Versus Statistical Significance in Research,” article attached

Provide examples of how you addressed feasibility and statistical versus clinical significance in your proposal. For example, why did you select the timeframe for your project, ( make up reason, project time was 8 weeks – pre implementation data was collected 8 weeks prior and comparison data was collected for 8 weeks).  and does that project timeframe allow you to meet the sample size you may have found in your power analysis (power analysis was 32) ? Did you select this because it was feasible? Why or why not and explain.

What is the difference between clinical and statistical significance and why are both important to the patient improvement outcomes of your project?



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Your post should be a scholarly summary of 3-5 paragraphs. required to follow APA 7th edition formatting guidelines for paper formatting. A minimum of 2 sources are required; no later than 5 years E


Your post should be a scholarly summary of 3-5 paragraphs. required to follow APA 7th edition formatting guidelines for paper formatting. A minimum of 2 sources are required; no later than 5 years

Ethical principles are important to maintain when conducting research. When research practices do not align with ethical principles, patient safety and the validity of the research is challenged. The Belmont Report was established due to concerns for beneficence, justice, and concerns for human persons in research studies.

  1. Considering the ethical conduct outlined in the Belmont Report, what principle(s) do you believe are most vulnerable to misconduct?
  2. After watching the video about the egregious Guatemalan research, what ethical principle(s) do you believe were violated by the researchers?



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Reply to each peer 1-2 paragraph Peer 1 The Belmont Report was signed into law in 1974 by The National Commission for the Protection of Human Subjects of Biomedical and Behavioral Research to


Peer 1

The Belmont Report was signed into law in 1974 by The National Commission for the Protection of Human Subjects of Biomedical and Behavioral Research to protect human participants with principles designed to address ethical concerns in research. The principles outlined in the Belmont Report give guidelines on the ethical treatment of human study subjects (National Commission for the Protection of Human Subjects of Biomedical and Behavioral Research, 1979).

The three principles include Respect for Persons, Beneficence, and Justice. All the principles listed are essential in ensuring human subjects are treated well during research and experiments, each vulnerable to misconduct to varying degrees. Respect for persons calls for the participants to be voluntary and provided with sufficient information regarding the research to make an informed decision while also respecting whether the person is autonomous or with diminished autonomy in need of protection. This principle will require the researcher to be aware of subjects that may be influenced or coerced to participate and who would not typically volunteer, such as prisoners. The logistics of this principle can create obstacles in that a person who would volunteer under coercion should ethically be respectfully protected instead (National Commission for the Protection of Human Subjects of Biomedical and Behavioral Research, 1979).

Question 2:

The research performed in Guatemala on unsuspecting people violated all the ethical principles of research, including Respect for Persons, Beneficence, and Justice. Researchers have a moral duty to minimize harm to participants and maximize benefits. This experiment caused human subjects great suffering and affected the generations of participants (Polit & Beck, 2022).

Doctors injecting citizens with Syphilis without giving them a choice, informing them of the risks, and obtaining consent, morally defies the fundamental human rights of the Guatemalans who fell victim to this research study. Participants in Guatemala were most likely chosen due to their vulnerability in a developing country. Choosing participants based on class, compromised position, easy availability, or racial and ethical minorities violates the principle of justice, according to the Belmont report. Experimenting on children is another example of a moral and ethical boundary crossed by doctors in this research that caused years of pain and suffering in not just the children but all who were subjected to these unspeakable acts (National Commission for the Protection of Human Subjects of Biomedical and Behavioral Research, 1979).

Peer 2

The Belmont Report was documented in light of human subject research where human rights were violated during the Tuskegee syphilis experiment. Before this, there was not much framework regarding the ethics surrounding human research, but when the syphilis experiment became public knowledge, it brought attention to the need for foundational ethical principles and what they entailed.

The ethical principles outlined by the Belmont Report includes respect of persons, beneficence, and justice (The Belmont Report, 1978). When it comes to misconduct, I believe all ethical principles are subject to misconduct, but the most vulnerable principle is respect for persons. Respect for persons involves the person’s right to self determination and autonomy, including the right to participate in a study (Polit & Beck, 2021). The reasoning for this is often times studies are conducted based on data, which is collected from real patient information. How many of the patients that are included in these statistics have been informed of their involvement? This is especially true when records are pulled for studies with historical data.

After watching the film on syphilis in Guatemala, it was clear that many ethical principles were violated. Autonomy of the research subjects was violated because there was no consent, much less informed consent (Varkey, 2020). Beneficence, which is to act for the benefit of the patient, was violated because the complete opposite was taking place (Varkey, 2020). Instead of helping sick individuals, they were inflicting a deadly disease on seemingly healthy individuals against their will and did not explain what was happening nor be forthcoming with treatments. Maleficence was occurring, which is a violation of the ethical principles of non-maleficence, meaning to do no harm (Varkey, 2020)



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When issues arise within a family unit, the family often presents with one member identified as the “problem.” However, you will frequently find that the issue is not necessarily the “problem client,”


When issues arise within a family unit, the family often presents with one member identified as the “problem.” However, you will frequently find that the issue is not necessarily the “problem client,” but rather dysfunctional family patterns and relationships. To better understand such patterns and relationships, and develop a family treatment plan, it is essential that the practitioner appropriately assess all family members. This requires you to have a strong foundation in family assessment and therapy. This week, you practice assessing and diagnosing client families presenting for psychotherapy.

FAMILY ASSESSMENT

Assessment is as essential to family therapy as it is to individual therapy. Although families often present with one person identified as the “problem,” the assessment process will help you better understand family roles and determine whether the identified problem client is in fact the root of the family’s issues.

THE ASSIGNMENT

Document the following for the family in the video (transcript of video provided), using the Comprehensive Evaluation Note Template:

  • Chief complaint
  • History of present illness
  • Past psychiatric history
  • Substance use history
  • Family psychiatric/substance use history
  • Psychosocial history/Developmental history
  • Medical history
  • Review of systems (ROS)
  • Physical assessment (if applicable)
  • Mental status exam
  • Differential diagnosis—Include a minimum of three differential diagnoses and include how you derived each diagnosis in accordance with DSM-5-TR diagnostic criteria
  • Case formulation and treatment plan
  • Include a psychotherapy genogram for the family

Note: For any item you are unable to address from the video, explain how you would gather this information and why it is important for diagnosis and treatment planning.

*** PLEASE NOTE THE COMPREHENSIVE EVALUATION TEMPLATE THAT IS TO BE USED FOR THIS ASSIGNMENT IS ATTACHED

** ALSO AN EXAMPLE COMPREHENSIVE EVALUATION IS ATTCHED TO NOTE ALL ASPECTS THAT ARE TO BE COVERED AND WHAT INFORMATION IS NEEDED

** THE TRANSCRIPT OF THE VIDEO THAT IS TO BE USED FOR THIS ASSIGNMENT IS ATTACHED

**THE RUBRIC FOR GRADING IS ATTACHED

AT LEAST 3 SCHOLARY PEER-REVIEW REFERENCES NOT OLDER THAN 3 YEARS



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Adolescents Suicide Rubric, 2 Articles, Paper Template, and Matrix Table Template attached Follow these guidelines when completing this assignment. Speak with your faculty member if you have question


Adolescents Suicide

Rubric, 2 Articles, Paper Template, and Matrix Table Template attached

Follow these guidelines when completing this assignment. Speak with your faculty member if you have questions.

Please make sure you do not duplicate articles within your group.

The paper will include the following:

Clinical Question (30 points/15%)

Describe the problem: What is the focus of your group’s work?

Significance of problem: What health outcomes result from your problem? Or what statistics document this is a problem? You may find support on websites for government or professional organizations.

Purpose of the paper: What will your paper do or describe?

***Please note that although most of these questions are the same as you addressed in paper 1, the purpose of this paper is different. You can use your paper 1 for items 1 & 2 above, including any faculty suggestions for improvement provided as feedback.

Use Evidence Matrix Table Template: Data Summary – (60 points/30%)

Categorize items in the Evidence Matrix Table, including proper intext citations and reference list entries for each article.

References (recent publication within the last 5 years)

Purpose/Hypothesis/Study Question(s)

Variables: Independent (I) and Dependent (D)

Study Design

Sample Size and Selection

Data Collection Methods

Major Findings (Evidence)

Description of Findings (60 points/30%)

Describe the data in the Evidence Matrix Table, including proper intext citations and reference list entries for each article.

Compare and contrast variables within each study.

What are the study design and procedures used in each study; qualitative, quantitative, or mixed method study, levels of confidence in each study, etc.?

Participant demographics and information.

Instruments used, including reliability and validity.

How do the research findings provide evidence to support your clinical problem, or what further evidence is needed to answer your question?

Next steps: Identify two questions that can help guide the group’s work.

Conclusion (20 points/10%)

Review major findings in a summary paragraph.

Evidence to address your clinical problem.

Make a connection back to all the included sections.

Wrap up the assignment and give the reader something to think about.

2022 Chamberlain University. All Rights Reserved

NR449_RUA_Analyzing_Published_Research_v4_JUL22 1

2021 Chamberlain University. All Rights Reserved

NR449_RUA_Analyzing_Published_Research_v3_JUL22 1

NR449 Evidence-Based Practice

RUA: Analyzing Published Research Guidelines

NR449 Evidence-Based Practice

RUA: Analyzing Published Research Guidelines

NR449 Evidence-Based Practice

RUA: Analyzing Published Research Guidelines

NR449 Evidence-Based Practice

RUA: Analyzing Published Research Guidelines

2022 Chamberlain University. All Rights Reserved

NR449_RUA_Analyzing_Published_Research_v4_JUL22 4

2021 Chamberlain University. All Rights Reserved

NR449_RUA_Analyzing_Published_Research_v3_JUL22 2

Format (30 points/15%)

Correct grammar and spelling

Include a title and reference page

Use of headings for each section:

Problem

Synthesis of the Literature

Variables

Methods

Participants

Instruments

Implications for Future Work

Conclusion

Adheres to current APA formatting and guidelines

Include at least two (2) scholarly, current (within 5 years) primary sources other than the textbook

3-4 pages in length, excluding appendices, title, and reference pages



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